Victory Theatre

The Victory Theatre is now operated by New 42 as the New Victory Theater—a nonprofit theater dedicated to kids and families.

THE VICTORY THEATRE was built in 1900 by Oscar Hammerstein, who originally called his small theater the Republic. Designed by architect J.B. McElfatrick, the theater’s interior was painted green, ivory and gold, and it had marble stairways, carved balustrades, a gilded dome, and decorative features with classical designs and allegorical figures, including life-size representations of Harmony and Melody. Opening night was September 27, 1900 and the main attraction was Lionel Barrymore starring in James A. Herne’s Sag Harbor, which was followed by a six-month run of In the Palace of the King.

In 1902, Hammerstein sold the theater to its manager, David Belasco, who renamed it after himself. Belasco made extensive interior and exterior renovations, adding a glass canopy to the front entrance, redecorating in subdued greens and browns and creating the most technically-advanced backstage of the time, with traps, elevator lifts and turntables. For the next eight years, the theater housed a series of hits, with stars David Warfield, Jane Cowl, George Arliss, Mrs. Leslie Carter, Tyrone Power, Cecil B. de Mille, Mary Pickford and Lillian Gish. Among the Belasco’s successful plays were Common Clay, Lilac Time, Parlor, Bedroom and Bath, and The Sign on the Door. But by far the theater’s biggest sensation was the Irish-Jewish comedy, Abie’s Irish Rose, which played 2,327 times over six seasons starting in 1922 and still remains one of Broadway’s longest running shows.

Republic Theater Marquee from 1920

Republic Theater Marquee 1920
Bain News Service, Public Domain, via Wikimedia Commons

Dirty Victory Theatre facade with blank marquee and empty poster cases

Victory Theater marquee, circa 1991

Between the hardships of the Depression and competition from a new form of popular entertainment—the movies—Belasco’s theater needed a more profitable tenant to keep it afloat. It found one in Billy Minsky, who ran the “Billy Minsky Republic Burlesque” between 1931 and 1942.

The theater’s next incarnation saw it renamed the Victory in the patriotic spirit of World War II, after which a movie screen was erected for second-run films. By the early 1970s, the Victory became the first and only pornographic movie theater on 42nd Street. However, by 1990, the stage of the Victory was once again graced by legitimate theater with the opening of Crowbar, followed in 1991 by Theater for a New Audience’s production of Romeo and Juliet, as well as other theatrical fare.

In May 1992, New 42 signed a 99-year master lease with the City and State of New York for the seven historic theaters known as the Apollo Theatre, Empire Theatre, Liberty Theatre, Lyric Theatre, Selwyn Theatre, Victory Theatre and Times Square Theatre.

Following extensive renovation and restoration of the Victory, New 42 opened the New Victory on December 11, 1995, the first tangible sign of change on 42nd Street. The New Victory is dedicated to providing high-quality performing arts experiences for young audiences and families. It offers a variety of performances, including theater, dance, music, circus, opera, and puppetry, as well as educational programs and community engagement initiatives. 

New Victroy Theater marquee, circa 2024

New Victory Theater at dusk, circa 2016
Photo: Mark LaRosa